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The August 4th River to River concert was all that and a bag of Chips. I have an aching collar bone - caused from carrying my hefty son on my shoulders for the entire concert - and a 21-month-old unofficial member of Oppenheimer to prove it.
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Like everyone else at the August 4th River to River festival on the piers of New York’s South Street Seaport, I arrived early in order to get an excellent vantage point from which to see Mercury Prize nominees Hot Chip rock the stage.
I had never heard of the opening band Oppenheimer prior to reading the night’s line-up, and anticipated that they would be simply a warm-up to the main attraction. How wrong I was.
Oppenheimer took to the stage amid pallid applause. The Belfast band’s Shaun Robinson sauntered over to the drums and seemed genuinely happy to be there, followed by Rocky O’ Reilly who seemed a little less certain as to what the night’s performance promised.
“That’s it?” I thought, “Just two members?” I was baffled because the stage was filled to almost overflowing with instruments – two guitars, a drum kit, two keyboards, no wait, make that three keyboards. There was also a slew of guitar pedals strewn on the floor and a toy accordion that was hidden somewhere amid the grouping of electronic musical paraphernalia.
“I’m about to say something I thought I would never say,” was how Shaun greeted the crowd. “Thank you New York!” Then without much of a countdown the band opened with a wall of sound that seemed sonically, musically and physically impossible.
I caught up with Rocky O’Reilly the next day as the band was about to head to their instore performance at a small record store in Brooklyn’s Williamsburg neighborhood.
Rocky O’Reilly: We are running out the door, but I’ll try to answer some questions for you. Glad you made it to the show!
Pixel Surgeon: How did you feel about the response to last night’s River to River performance?
AMAZING! People in the states are a lot more open than those in Belfast, we met so many nice people last night, it was a great experience.
How many shows will you be doing (have you done) in New York?
The South Street was our first NYC show, we are doing two in Brooklyn today, and on Aug 21st are playing at Piano’s.
How is it possible that a duo delivers such a full, rich, funky sound?
Synthesizers are good for that, we like to think we’re half indie pop/ half electronica, so employing synths/samplers all that helps beef things up.
Would being a quartet or quintet make the musical process simpler or more difficult?
I could never imagine Oppenheimer being more than us Oppenheimers. We write and record all our own stuff, the creation is very studio based. It’s the two of us throwing our ideas back and forth at each other and seeing where it takes us. In that way I hope the live show reflects that process, that it is two people creating the sounds.
On occasion people are upset that it’s not guitar/bass/drums, but that’s not really what we are about, it’s about pop/electronica and really it’s about having fun!
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Toward the middle of the August 4th performance Shaun did something ego-ridden American pop bands never do… he invited everyone backstage. “We’ve just released our new cd,” said Shaun speaking of the band’s debut album simply titled Oppenheimer that was released July of this year on the infamous Bar/None Records label. “If you like our sound,” continued Shaun, “we’ll be loitering abouts back there. Come back and join us.”
It was petty brave of you to invite audience members back stage to chat with the band. Don’t you know that New York fans are a rowdy bunch?
People where telling us that New Yorkers can be tough, I don’t think anyone is as tough as a Belfast crowd! If we can brave that, then New York is a dream.
In introducing ‘Breakfast In NYC’ you said you enjoy pizza for breakfast. Where have you had the best slice since you’ve been in New York?
We’ll we had some good pizza last night, however the award has to go to the one we are about to eat. At 5am I was woken up by 3 crazy guys from Belfast that we are staying with, they had a HUGE pizza with candles and singing happy birthday to me. It scared the crap out of me! I think Shaun likes Pizza more than I, I’m all about the club sandwich these days.
Well, haaappy birrrthday tooo yooou!
There was no Guiness at the little beer cart on the pier where you performed. I was extremely disappointed and had to settle for amber Michelob. How did you guys perform so wonderfully without the Irish staple when without it I was struggling to be a proper audience member?
Well, actually Bar/None stopped by a special shop and bought 48 bottles of Guiness for us, so it all worked out!
I live a few blocks from Sound Fix in Brooklyn where you guys will be later. It’s a tiny venue for an in-store performance. Where will you put all your equipment?
Well, now we are nervous! We’ve played some pretty small stages, we will survive.
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Survive they did. Oppenhiemer turned their instore into an incafé as the performance was move to the slightly larger pastry and coffee shop that shares the back wall, and restroom, with the Sound Fix record store.
Toward the end of the South Street Seaport performance the night before, everyone in the audience was pleased to have witnessed this Belfast duo do their thing and showed their appreciation by introducing an impromptu clap sequence to the band’s last song. The performance was an amalgamation of disco, electronica, funk and soul. If you can imagine a little less animated Junior Senior channeling a bit of Ron Trent you’d come close to the musical energy Oppenheimer delivers.
The café performance was slightly more reserved. It saw a third person, a soundman maybe, assisting the duo in the cramped quarters of the eatery. Hipsters bopped their heads as the band did their best to rock out. When I went to the front, the record store where the performance was originally scheduled, I heard the storeowner and an employee manning the register discussing the band’s performance.
“They’re a lot louder than on the album,” said the employee. “Yeah,” agreed the owner, “but they totally rock.”
If Rocky O’Reilly and Shaun Robinson were born under the Union Jack instead of next to the blarney, and if there were a category for fun-funky-earnest-poetic-electro-pop in the Mercury Prize selections, they too would certainly be nominees for the next round of the coveted British music awards.
+ also published at PixelSurgeon